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005 20220227194424.0
008 100223s2010 caua 001 0 eng d
900 _aBK
020 _a9781933492957
020 _a1933492953
040 _aBTCTA
_beng
_cBTCTA
_dYBM
_dWIQ
_dCLE
_dYDXCP
_dEDK
_dCWS
_dUKMGB
_dCWS
_dBDX
_dTTU
_dINR
_dDLC
_dUIAP
050 0 4 _aPN 6710
_bM384 2010
100 1 _aMateu-Mestre, Marcos
_eautor
245 1 0 _aFramed ink :
_bdrawing and composition for visual storytellers /
_cMarcos Mateu-Mestre.
246 3 _aDrawing and composition for visual storytellers
250 _aFirst edition
260 _aCulver City, CA
_bDesign Studio Press
_c©2010
300 _a127 páginas
_bilustraciones blanco y negro
_c28 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncluye índice.
505 0 _tGeneral Thoughts On Narrative Art --
_tDrawing And Composing A Single Image (Basics) --
_tComposing Shots With A Purpose --
_tComposing for continuity --
_tThe graphic novel.
520 _aThe ultimate guide to visual storytelling! How to make the audience "feel" the story while they are "reading" the story. Using his experiences from working in the comic book industry, movie studios and teaching, Marcos introduces the reader to a step-by-step system that will create the most successful storyboards and graphics for the best visual communication. After a brief discussion on narrative art, Marcos introduces us to drawing and composing a single image, to composing steady shots to drawing to compose for continuity between all the shots. These lessons are then applied to three diverse story lines - a train accident, a cowboy tale and bikers approaching a mysterious house. In addition to setting up the shots, he also explains and illustrates visual character development, emotive stances and expressions along with development of the environmental setting to fully develop the visual narrative.
541 0 _aBibliografía complementaria
_d2019/11/26
_h0.00
650 4 _aDibujo -
_xTécnica
650 4 _aNovela gráfica -
_xAutoría
650 0 _aDrawing -
_xTechnique
650 0 _aGraphic novels -
_xAuthorship
903 _aANGELES
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