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Framed ink : drawing and composition for visual storytellers / Marcos Mateu-Mestre.

By: Material type: TextTextPublication details: Culver City, CA Design Studio Press ©2010Edition: First editionDescription: 127 páginas ilustraciones blanco y negro 28 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781933492957
  • 1933492953
Other title:
  • Drawing and composition for visual storytellers
Subject(s): LOC classification:
  • PN 6710 M384 2010
Contents:
General Thoughts On Narrative Art -- Drawing And Composing A Single Image (Basics) -- Composing Shots With A Purpose -- Composing for continuity -- The graphic novel.
Summary: The ultimate guide to visual storytelling! How to make the audience "feel" the story while they are "reading" the story. Using his experiences from working in the comic book industry, movie studios and teaching, Marcos introduces the reader to a step-by-step system that will create the most successful storyboards and graphics for the best visual communication. After a brief discussion on narrative art, Marcos introduces us to drawing and composing a single image, to composing steady shots to drawing to compose for continuity between all the shots. These lessons are then applied to three diverse story lines - a train accident, a cowboy tale and bikers approaching a mysterious house. In addition to setting up the shots, he also explains and illustrates visual character development, emotive stances and expressions along with development of the environmental setting to fully develop the visual narrative.
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Préstamo Biblioteca Pedro Arrupe Acervo PN 6710 M384 2010 (Browse shelf(Opens below)) Available 156482

Incluye índice.

General Thoughts On Narrative Art -- Drawing And Composing A Single Image (Basics) -- Composing Shots With A Purpose -- Composing for continuity -- The graphic novel.

The ultimate guide to visual storytelling! How to make the audience "feel" the story while they are "reading" the story. Using his experiences from working in the comic book industry, movie studios and teaching, Marcos introduces the reader to a step-by-step system that will create the most successful storyboards and graphics for the best visual communication. After a brief discussion on narrative art, Marcos introduces us to drawing and composing a single image, to composing steady shots to drawing to compose for continuity between all the shots. These lessons are then applied to three diverse story lines - a train accident, a cowboy tale and bikers approaching a mysterious house. In addition to setting up the shots, he also explains and illustrates visual character development, emotive stances and expressions along with development of the environmental setting to fully develop the visual narrative.

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